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No. 25448
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>>25445
I wasn't thinking about structure, I don't know enough about film theory to notice that.
It's something more obvious. There's always a man who goes from a lower point to an high one. Then he meets his hubris; depending on the movie, sometimes he gets destroyed by it, or redeems himself before that. He always mets a woman and starts a family, the woman always acts the same way (probably quite realistic though) and at some point it will get in conflict with the protagonist, because 1)economic reasons 2)not spending enough time with family/doing dangerous work or lifestyle for family. And she will abandon him and take the kids with her. There's also some rare variants without children or with children dying, but with similar results.
Just think all the (good or even great) movies with those elements, movies that can be completely different in setting and themes.
Think about Goodfellas, Amadeus, Scarface, The Lord of War, Barry Lindon, it's all there and that's just thinking about really good movies.
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