>>37152
It's usually produced at resolutions between 720p-900p.

>>34249
If you haven't tried it recently, the recent generation of anime4k shaders are really quite neat. I don't care too much about the upscaling one, but there's a "restore" shader which does something similar to a combination of deband/dehalo + warpsharp except with much less artifacting. It works really well on shows that are poorly encoded, or just a tad blurry.

What's neat is that the "shader" just seems to be a bunch of convs whose perceptual loss was minimized via ml training. Given the existence of these, I'm surprised people still need to mess around with manually doing dehalo and stuff in avisynth, when you could just pass it through these and get near perfect results.

>>37156
What are the resolutions for anime on blue-ray? I'm guessing 1920 x 1080 pixels.

>>37181
They can upscale it to whatever they want, it was still produced at those resolutions I quoted.

Japanese production company Toei announced today that influential anime and manga creator Leiji Matsumoto, best known for creating Space Battleship Yamato and Galaxy Express 999, passed away on February 13 in a Tokyo hospital due to acute heart failure. He was 85.



Matsumoto was born in Kurume, Fukuoka prefecture on January 25, 1938. As a child and teenager during WWII, Matsumoto watched many American cartoons and comics through his father, a test pilot for the Japanese Imperial Army, as he was moved around due to the war. He was able to witness many planes during his early years through his father’s work and raids from the US Army.



He channeled his interest in cartoons and science fiction by forming a manga doujinshi group in elementary school. Matsumoto moved to Tokyo in 1953 to pursue a career in manga at the age of 18, debuting with Mitsubachi no Boken, a manga Matsumoto wrote while finishing high school.



Since then, Matsumoto is known for creating works such as Space Battleship Yamato, Captain Harlock, Galaxy Express 999, Queen Emeraldas and so many more influential works that inspired generations of artists around the world.

He did the character design for a series of music videos for Daft Punk.
If you are looking for "full story" here is the order:
1."One More Time"
2."Aerodynamic"
3."Digital Love"
4."Harder, Better, Faster, Stronger"
5."Crescendolls"
6."Nightvision"
7."Superheroes"
8."High Life"
9."Something About Us"
10."Voyager"
11."Veridis Quo"
12."Short Circuit"
13."Face to Face"

Message too long. Click here to view the full text.

>>35273
Season 2 is now airing.

>>35273
>and though her powers are a deus-ex-machina it really doesn't matter since unlike Bofuri the focus isn't on the wacky things they're doing but on the friendships and people she gets to meet
Normally the whole isekai cheat power thing makes me roll my eyes, but I admire how Yuna's devoted her powers to small but meaningful acts of charity and that she has the humility to reject the spotlight. This trope is so much less annoying when it's used in service to others, not just for the main character's self-aggrandizement.

Keeki keeeki fuwa fuwa keeki mainichi tabetai fuwa fuwa keeki~

I think s2e11 is the first time we've seen Yuna without her neet pajamas bear suit on, and the gap moe is too cute!

>>33054
That it is... only one punch!

>>33028
the latest ova might explain that to you

One Punch Man Season 3 ワンパンマン 3 rumored to be animated by MAPPA!?!

>>37036
I really don't like the weird, yet status-quo preserving direction the manga went for the garou fight. The webcomic handled it much better.

>>36986
Lainchan used to be good. But then the arisuchan/kalyx drama happened and all the high-quality posters left. Now it's full of schizos and generation Z kids, the thread you linked is an example of that.

Well, at least it's better than /g/

>>36991
>all the high-quality posters left
I wonder how many of them posted to tohno-chan since /navi/ still seems have quite a few good ones.

>Well, at least it's better than /g/
It's all over if this comparison is made.

>>36993
I'm dramatizing it a little bit... though pretty much all boards besides the tech boards are pretty shit, the technology boards are still pretty good. tc's /navi/ is better, but it's much slower.

>>36910
Do not watch something you know you wont enjoy for sure, there is no purpose. You might understand references, but references to something you again do not enjoy. That sounds stupid. I like Evangelion a lot so I would recommend it to other people but to watch it just so you could chameleon your way into a community is wrong

HAHAHA, I know all about that epic meme. Thanks for posting!
Tell everyone on 4chan how you made a big hit on TC with this post, they're be happy for you.

Sound! Euphonium: The Movie - Our Promise: A Brand New Day - Official Trailer (HD) [English Sub]
https://www.youtube.com/watch?v=NZMIH7qg-OU
Just saw it; made me cry.

>>27162
At least it's original. I'd personally have posted it to /lol/ unless it was paired with something else more substantive though.

Saw the first ep. I wanted to keep an open mind about this, but man...
Starting with appearances. I don't hate the character redesigns as much as some other people seem to, but I do still think they're not great. They look a bit derpy. I don't know why they felt the need to give Vash a gaudy scifi looking arm. keeping the nature of his arm secret in the original meant he didn't have all his cards on the table, it was just one of the many tricks up his sleeves. It was logical to just have a normal looking arm.
A lot of the animation seems overly exaggerated, but that stuff isn't what really bugs me. In the original you have this desert planet, maybe it's a post apocalyptic earth, maybe it's a stylized version of the old west, maybe it's just a fantasy world. It takes time to peel away the layers and unveil the reality of the situation and why these people are on this planet, as we also slowly learn the backstory of our main character, who and what he is. Instead, the remake's opening scene throws that all out the window and explains everything upfront. By the end of the first ep they unveil Vash's brother is behind the disaster, that he's the big baddy of the series and so on. Can't say I much like the idea of dumping everything right up front. So instead we get this huge and abrupt shift from Eve Online to Boarderlands. I could see it working if the first ep or two was just life on the ship, establishing these character would make rem's loss and knives betrayal have that much more of an impact, instead they rush all that. Our first intro to vash shows him hung upsidedown and left to die, which I think is just their way of showing him with out stretched hair like his old look as a kind of nod to the original character design. That just left me wonder why in the hell the gang that did that wouldn't turn him in for the reward money. I feel like I could keep going on and on with things that seemed dumb or annoying but in the end, it just doesn't feel like it's very well thought out. Feels like they're just intending on going with style over substance, but it doesn't even look that great. I'll probably keep going, but my expectations are pretty low now.

>>36968
Remakes are always pointless. Every time it's the same shit. Going from cells to CGI is also a massive downgrade. I can't care.

I thought she might just show up latter, but it's sounding like Millie got cut from the remake and replaced by some drunken old man.

Why the crap would you do that?!

Look what I found!

>>36935
>It's trivial to see that if you preserve only popular files, eventually the long tail of "unpopular" files will disappear.
You're making the assumption that people will only have an interest in popular files. If people distribute what they're interested in, even less popular things will be preserved. What will disappear is that which nobody has enough of an interest in to distribute.

>>36936
>that which nobody has enough of an interest in
Which is quite literally the definition of unpopular. The pool of people distributing is a subset (and likely not even a representative one at that) of the population at large, and has the obvious constraint of temporality. If you can guarantee that no person anywhere in the world in the future will ever have in interest in that file, then I agree there's no point preserving it. That's a very strong assumption to make, and under those odds the marginal utility of archiving an additional copy of a popular file is entirely dwarfed by the marginal utility of archiving an unpopular one.

Post edited on 31st Dec 2022, 8:43pm

>>36937
>Which is quite literally the definition of unpopular.
I don't agree. Death Note is popular. I would not call some of the things I've archived popular, but I archived them, because I'm interested in them, in an archeologist sort of way.

>>36938
> I would not call some of the things I've archived popular
That doesn't contradict my point in any way. All things that are at risk of disappearing are unpopular. Not all unpopular things are at risk of disappearing. I will admit that saying "is the definition of" implies a biconditional, not one-way implication (*), which is my bad for not being precise enough (I'd assumed it was self-evident enough that colloquial language would be sufficient, but I guess not). Either way quibbling over the definition of "unpopular" doesn't have any material bearing on the second (and more significant) aspect to >>36937


(*) I'm fairly certain the biconditional actually does hold, you just need to more precisely/formally define "unpopular" instead of handwaving it. But that's an orthogonal discussion.

Post edited on 31st Dec 2022, 10:45pm

>>36899

I get why they didn't want to have GoodJob-san just buy things, because then it's not a team effort. It doesn't quite seem like they destroyed the clubhouse entirely, and I guess they'll probably patch the floor of it later. I guess if you want to put the literary goggles on you can handwave something about how the tree house inherits the spirit of the old clubhouse, or how it marks a new generation of DIYers so it's only fitting that the old one be disassembled. But I would have preferred they do something cool like that thatched roof she mentioned.

>>36900
They could have just put in a skylight.

>>36915
I completely forgot that GoodJob-san was leaving at the end of the term. I'll miss her and her interjections.

Young bunko is very cute. And with the context of what happened, it's no surprise that she takes a liking to Mameda. The parallels between them are clear, and yet somehow Bunko's original reason for doing rakugo seems more tragic. And the historical context of what followed the Taisho era makes this somehow even more poignant.

I have no idea what the context for these two are, but I like the tune and the second made me at least laugh (reference to toki soba tale)

https://www.youtube.com/watch?v=mhozDRGpbus
https://www.youtube.com/watch?v=_iAS5LDik2s

Ah context for this was mentioned in >>/ma/3845 two years ago
>A couple of short animation based on the series was made and brought significant attention to the series.

I hope that anon is still here, because his wish was fulfilled.

Post edited on 27th Dec 2022, 2:07am

Episode 12 felt a bit lazy on the rakugo parts, it was tales we'd already seen. And was another explanation of "Sanmai Kishou" really needed? Feels like this one was a filler episode, but I guess it's building to that finale.

OP sung by Bunko: https://www.youtube.com/watch?v=CvFxKlt7JlY

Official MV for OP/ED:
https://www.youtube.com/watch?v=OWi33wPbMAE
https://www.youtube.com/watch?v=owhOWiiRP2o