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No. 43415
[Edit]
>>43414
>act differently in the videos compared to normally
Are you the same person who wrote the brief review of it in /an/? To me the whole crux of the show was an exploration of the way content, creators, and audience intertwine. The vampires don't care because they're not really the creator. Masaki not appearing on camera doesn't matter, because it's not an exploration of facades, it goes one level deeper at the exploration of how the _audience_ shapes the creator if that makes sense.
If you wanted to do an exploration of facades, I'd maybe point at WataYuri, and the interplay between the facades they put on and their own personalities. But in this case, there's no facade being put on. Put it this way, that article has a quote "Social media does not create powerful Influencers but rather powerless marionettes, dancing jerkily to quantified audience tugs." That describes Masakichi to a tee. This isn't some "work" facet of personality that can be easily separated from her "normal" life. "NewTubing" _defines_ Masaki's personality, and she suffers for it.
>don't let worries about how you're perceived ruin the things you enjoy
I personally don't feel this is quite the right theme. I'd say this for YoruKura, but not quite for this show. Because "NewTubing" is fundamentally audience-centered. Masaki doesn't film things _she_ enjoys, but what the audience enjoys. After her catharsis, she doesn't just opt to spend relax and spend time with her friends, but she vows to double down on NewTubing. Rather to me, in that cathartic moment Masaki realized that she ultimately was but a marionette, and all that drama and flaming of the audience is simply "part of the play" that she chose to partake in. My evidence for this is when Masaki accidentally meets in real-life that person who wrote flaming comments, and it turns out that she was a follower of Masaki. This is the turning point for Masaki, upon which she reflects and realizes that everything, even the drama with Harikiri sisters, is ultimately dispassionately "manufactured" fodder, not targeted betrayal.
And if it feels tragic, I think it's supposed to be. It's a stark reflection of attention-bait dominated society. No one would want friends like the Harakiri sisters who'd throw you under the bus. And yet in real-life that's already playing out, "youtube drama" spills over into all places. How much of that is "real", how much of that is "manufactured", and is there even a difference between the two, if youtubers themselves have become the audience's puppets. If they're putting on a "facade" 24x7, with no separation between "work" and "personal life", is there even a meaningful "personal life"?
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