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No. 31983
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>>31962
>we're talking about an offshoot shitshow from netflix.
True. If this ends up being crap (which it likely will) it will be forgotten about just as quickly as the live action death note shit was.
>Well that's just plain wrong. You do see it often
What you're seeing are squeals, not remakes. Remakes are retelling of the same story, typically by a different creator. A couple examples are Kanon 06, and full metal alchemist brotherhood. It's a bit debatable if movie/ova retelling count as remakes, which there are indeed a fair amount of out there. Personally I don't count them as remakes but I understand if you do. To me they're more like adaptations from one medium to another (TV -> cinema) while also acting as summaries for the originals, but in the case of something like the Nanoha movie the run time is so close to the original series it can practically be considered a remake.
But yeah I guess the "spinning in their grave" thing is a bit over used.
Myself, I watch a lot of movies so I'm used to seeing old tittles get crappy reboots/remakes. As mentioned the only part that 'does' bother me is the lost potential for something better in their place, which is something adaptations have a higher risk at. If something was successful the first time around, even if the remake fails, they might keep trying to recapture that success. If on the other hand something gets an adaptation and it turns out to be shit, that's it, that's all we get. We've got one shot and if doesn't do well there likely wont be a second chance. It's still a bit sad to think what the super mario brothers movie could have been, and what it could have done for not just game to movie adaptations but the game industry itself... On the other side of the coin you can have bad adaptations which do well financially such as the transformers movies, and because they make money you wont see a proper adaptation made any time soon.
>Unfortunely most of you (not you I'm quoting but you know, you) are hipocrites.
I'm not so sure these are the same people though. Maybe elitist asshole, and protector of the work's integrity, aren't the same person? I'm mostly just guessing what the motivations and thought processes are here anyway.
Honestly this movie is going to be no different than the ghost in the shell movie everyone quickly forgot about, or the deathnote thing netflix did. Same shit different day, nothing to get bent out of shape about. Last I checked Hollywood's take on ghost in the shell didn't ruin the franchise, Arise did that.
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