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33339 No. 33339 [Edit]
Let's post reviews of anime when we finish watching them!

It doesn't have to be from this season; any anime is fine!

I'll post the first review ITT
169 posts omitted. Last 50 shown. Expand all images
>> No. 34413 [Edit]
>>34412
One of my big issue with it was the flagrant disregard for potentially catastrophic causality issues. None of these characters gave a single fuck about screwing up the past.
>> No. 34415 [Edit]
>>34413
I wouldn't expect something like that from a kids' show. In any case, I typically don't care about realism in anime.
>> No. 34416 [Edit]
>>34412
>Benjamin Franklin
I hope they animated him with his French harem.
>> No. 34417 [Edit]
>>34416
They did make him seem kind of pervy, actually.
>> No. 34418 [Edit]
>>34413
>catastrophic causality issues. None of these characters gave a single fuck about screwing up the past.
It just creates a new multiverse – paradox averted.
>> No. 34419 [Edit]
>>34417
I almost want to watch this.
>> No. 34420 [Edit]
>>34419
Keep your expectations low, lol. Like I said, it isn't worthy of being anything more than literally breakfast television.
>> No. 34421 [Edit]
>>34412
I watched it during its airing. It's not even good as edutainment. There're better shows for that. I don't find it that boring though.
>> No. 34422 [Edit]
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34422
I watched Drifters (12-episode season + 3 OVAs). Here are my thoughts:

Going into this, I expected it would be a very action-packed fast-paced show, but actually it ended up being fairly dialogue-heavy interspersed with some action scenes. This isn't a bad thing in my view because I don't care about action all that much, but it is something to be aware of.

Animation quality is good and the art style is creative. The art style makes heavy use of bold lines, particularly in the character animations. It kind of reminds me of American comics/graphic novels. I'm not overly impressed by it or anything, but at the very least it is unique, and I think it suits the series well. The action scenes look pretty good, although stills are used somewhat frequently. Voice acting and audio production quality are decent as well. OST is okay and suits the gritty atmosphere of the show.

The anime is filled with fighting and killing but it still feels very goofy to me. The premise is kind of ridiculous, and on top of that there is a fair amount of comedic relief. It's difficult to take seriously but that also means it's easy to watch casually. A lot of the humour is unfunny. The historical jokes, as you might expect, are very predictable. Most of the characters feel like caricatures, but given how over-the-top the rest of the series is, maybe it would be silly of me to expect that the characters not be equally as exaggerated. In any case, I would have preferred that the anime have a more serious tone and less comedy. At its best, the show has an atmosphere that is dark and gritty, which can be very captivating. Unfortunately, my immersion is often broken by the things mentioned here. One exception to the ongoing intrusive and unfunny comedy was the gay aristocrat character. He was genuinely hilarious and I often found myself laughing out loud when he was on-screen. The comedy itself wasn't always bad, the bigger issue was the timing and the way it interrupted plot-critical dialogue and scenes.

Despite the inappropriate comedic relief, the actual story is fairly interesting and engaging. Unfortunately, there are countless loose ends in the plot by the time the anime ends, leaving the viewer with the impression that they just watched a really expensive manga advertisement. This show has major issues with plot execution, even though the underlying story is promising.

Way too many characters. This is a common manga adaptation problem. Although I haven't read it, I'd wager that the manga is better. A single cour is too short for a story this complex and a character cast this large. Two cours (at least) would be much more suitable.

Overall rating: 7/10
Despite my criticisms, it was still entertaining.

People who like 'manly' anime with lots of grit and violence might enjoy this. For full enjoyment though, I think it's necessary to read about the history behind each character so that one can understand the frequent historical references in the show.

Yoichi is sexy as hell.

Apparently a second season has been supposedly confirmed for nearly 4 years now. If that does come to fruition then some of my criticisms may not apply or might at least be attenuated. In any case, it feels to me like they tried to cram far too many story arcs and characters into the show.

Breaking news: local high-budget anime gets ruined by poor direction! Stop the presses.
>> No. 34423 [Edit]
>>34411
I thought the writing was good all around. The story was pretty straightforward actually without any major twists or anything too unexpected.
>> No. 34424 [Edit]
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34424
>>34422
They couldn't adapt more because Hirano is extremely slow and there's just no more to adapt, also it could take a decade to have enough to fill another 13 ep.
Hellsing had the same problem and they had to invent it all. At the end they properly adapted the manga in OVA format but I doubt Drifters could ever have the same treatment. At least we got the three OVA's.

If you liked Yoichi there's some great doujinshi out there.
>> No. 34425 [Edit]
>>34424
Adapting a manga as it's written seems like a bad idea, IMO.
>> No. 34426 [Edit]
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34426
Infinte Ryvius is a 1999, 26 episode anime. Ryvius is most briefly described as Japanese Lord of the Flies in space. Around 400 students survive an "accident" on the military training space ship they were attending and evacuate to a mysterious smaller ship with strange capabilities hidden within theirs called Ryvius. For various reasons though, they cannot be rescued and are forced to search through the solar system for an independent planet to take them in while fighting off government assaults and being totally unable to communicate with the outside. Although there are space battles and there is a mech, Ryvius is a psychological drama and focuses primarily on shifting character dynamics and conflicts. If that doesn't interest you, don't watch it.

The beginning of Ryvious is rocky. The ost contains some bad, weird hiphopish tracks which the first episode unfortunately opens on. The actions of some characters are also hard to understand at the start, but make more sense later. Some of the comic relief is also handled poorly to a bizarre degree. These issues mostly get ironed out though and the show really hits its stride after the first third or so. Art wise, Ryvius benefits from being made in the pre-tablet era. An anime with similar production values would look quite worse if it was made in the mid 2000s. Its serviceable and most of the character designs are also fine.

A strong point of Ryvius is how daily life on the ship is depicted and how it changes depending on whoever is in charge. How average people feel on the ship and why is quite fleshed out, especially in terms of work, food and living arrangements. As the series progresses, it gets increasingly grim. The battles become tougher, motivation decreases, a general sense of being trapped is present. Some of the stuff that happens and raw emotion shown are the kind of thing I'd expect more from a VN and reminded me of Swan Song. It's a sadist's treat. There is a happy ending though

The characters also impressed me to some degree. Although some resemble archetypes, they all have some kind of twist which relates to their own back story and what happens to them, none of the main characters are static and some side characters aren't either. The main character is strange in how consistently normal he is. He gets sad and angry and laughs and has issues like others, but he's the only one who doesn't lose it even a little. Other characters even point this out. He goes from being relatable, to unlikable to respectable in cycles. How others see him certainly changes.

I would recommend Ryvius if you like decent psychological drama and can tolerate or even enjoy some clumsiness.
>> No. 34427 [Edit]
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34427
Cossette no Shouzou is a 3 episode ova from 2004. It's about an art student who works at an antique shop. He starts seeing a girl inside of an old glass and falls in love with her. The main focus of Cossette is the visuals. There's a whole lot of bizarre, extremely over the top light shows. Collosal, sweeping vistas of stuff flying at the screen. They're not really comprehensible. They just kind of happen and take up time. It is impressive. It does look kind of cool, albeit dated because of some inclusion of cgi, but it doesn't leave much impact because it's not connected with anything to care about. I was disappointed Cossette wasn't way, way more down to earth. There are scenes where characters talk, but they're just sort of aimless. There's kind of a plot and it kind of progresses and it's kind of understandable. There's a bit of theming on the difference between loving a person for who they are as opposed to their beauty alone. There's a little bit of that in there I guess.

I'd recommend Cossette if you want to watch a lot of over the top, nonsensical visual sequences with a vague horror theme. Maybe if you really love the gothic lolita aesthetic?
>> No. 34429 [Edit]
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34429
Blue Gender is a 2000, 26 episode anime. It's about a guy who wakes up from a cryogenic sleep he was placed in, during relatively present day, to stop the development of a disease in his body until a cure is found. Instead he's woken up to an Earth infested by giant insect monsters where most people are dead, but there's some living in space who want to transport him up there as a "sample". Yes, the premise sounds like Starship Troopers, but the execution and plot are completely different. Blue Gender is also a mecha.

I liked the first half of Blue Gender. The reaction a person would have to waking up to that is handled well. I also liked the dichotomy between the mentality of a person from the 21st century with the mentality of people who grew up in militarist, apocalyptic circumstances. The main female lead in particular was appealing and the best part of Blue gender. It felt kind of organic and the adventure format was fun. This is the kind of anime where characters die really easily from all sorts of things, to the point where you get a little paranoid about going outside because you're reminded of how fragile people are.

After things cool down from the first part, the plot meanders and some character change occurs which I disliked. These character shifts didn't feel believable and took away some of the appeal characters had actually. After some political intrigue, there's more action and more political intrigue, and then after a second climax, Blue Gender rapidly crashes into a confusing, out of left-field and unsatisfying conclusion.

Despite having a hard sci-fi kind of aesthetic, Blue Gender has distractingly bad biology. A bit of obnoxious romantic drama throw in too. There's also a heavy-handed and nonsensical environmentalist message. The animation is nothing special and pretty bad in some places, but the soundtrack is quite good minus the op and ed.

I wouldn't recommend Blue Gender. If it was only made up of the first part and that worked as a complete story, I would, but what happens after isn't worth watching for the most part.

Post edited on 21st Jun 2020, 7:23am
>> No. 34430 [Edit]
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34430
I watched Koutetsujou no Kabaneri. Here are my thoughts:

Remember that movie Snakes on a Plane? Well this is basically Zombies on a Train - anime edition. Wow I'm so funny.

I didn't expect to like this anime but decided to give it a fair chance. Apparently it was fairly well received in Japan, not that that means much. Anyway, I found it entertaining enough to watch to completion.

This is kind of a guilty pleasure 'junk food' show from my perspective. Like a two-star Hollywood trash movie that you impulsively throw on and don't plan to take seriously. Although that kind of feeling is sort of intangible, I'll try to be more specific. This anime is a zombie show with a cliche cast and storyline, and is clearly meant to appeal to a broad audience. They even released a mobile game to go with it.

In addition to being a TV series, the content was recycled into a movie trilogy. Although I watched the Blu-ray release of the TV series (+the post-TV sequel movie "Unato Kessen"), it certainly had a cinematic feel to it and a fast pacing that I'd expect in a movie.

This anime has a rich steampunk theme/setting. The setting is a strong point for sure and was one of my favourite aspects of the show. I thought the 'railforts' were pretty cool. Furthermore, a steampunk setting combined with zombies is definitely a winning combination. It's difficult to screw something like that up, I think.

Decent soundtrack. Very polished, although I would have liked to have seen more variety.

Visual production quality is solid. There is a fair bit of visual detail overall. Fight choreography is at times complex which makes the action scenes more entertaining. Character animations in general are nice. Cinematography is decent as well. I typically don't value action all that much, but the action scenes in this often looked pretty good.

My one petty complaint about the visuals are the eyes. Characters' eyes frequently appear to be crudely 'pasted' onto their faces in a way that appears unnatural and sloppy. The eyes have a lot of detail, but when they're carelessly pasted onto a character's face, say during an action scene where the rest of the character animation is far less detailed, it appears unnatural. Even during ordinary scenes, the highly detailed irises clash with the pencil-sketch art style of the rest of the character's face.

Plot is fairly predictable and stereotypical. I'm not the kind of person who automatically considers a stereotypical plot to be bad, but that kind of thing is dependent on the viewer. Execution is always more important from my perspective.

Characters frequently act like idiots just for the purpose of creating drama, which is a sign of lazy/poor writing in my opinion.

Apparently this is commonly criticized as being an Attack on Titan rip-off. I actually have not seen AoT but in any case I think that, for any kind of media, that kind of criticism is childish and unmeritorious. However, I think the AoT talking point alludes to something more meaningful, which is the fact that the series isn't particularly creative. It's a zombie thriller show, albeit with some unique mechanics and a somewhat refreshing setting.

The main character has a really unlikable personality, in my opinion. I'm having trouble coming up with the exact words to describe him. He's geeky but in an insufferable kind of way. His self-righteousness is groan-inducing. In fact, pretty much the entire cast is unlikable. The only exception is the lead female character, Mumei. She was cool and sexy, and her athleticism allowed for some great action scenes. This series was at its best when she was on screen. Otherwise though, characters are arguably the weakest aspect of the show. Most of the characters are either unlikable or totally bland.

Both the story and characters make the show feel as though it is targeted towards a teenage audience. This is not an objectively bad thing but still noteworthy.

Overall rating: 5/10

Seriously, the characters in this were terrible. My apathy towards the cast just made the sappy drama all the more eye-roll inducing (and I say that as someone with a very high tolerance for sappy drama). The story was Hollywood-tier. What kept me watching was the unique setting and the above-average visuals. Plus the fact that I was able to carelessly watch episodes of it without feeling any pressure to savour or appreciate it in any way, which is what 'junk food' shows are good for. I also sensed some potential in the earlier episodes which ultimately did not pan out.
>> No. 34431 [Edit]
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34431
>>34430
The characters designs were supposed to look retro and I really like how it ended, it really feels like Macross (same character designer) with a touch of Leiji Matsumoto, it's not something you see this days too often. I think the whole idea of the anime was to make something that looked and felt classic but with really high production values and techniques from today, you can see it looks really impressive for a TV show.
Being critiziced as too similar to AoT it doesn't make sense since AoT it's basically changing zombies by giants, so not the most original thing. Kabaneri is really similar to a korean movie called Train to Bussan and I thought it was a rip-off until I checked and the anime was actually older than the movie.
I didn't dislike the characters and I liked how energic the MC was, but at least we can agree Mumei was delicious (pretty much everyone agreed on that).
>> No. 34432 [Edit]
>>34431
They both have "hybrid" protagonists and steam punk elements too.
>> No. 34433 [Edit]
>>34431
>but at least we can agree Mumei was delicious (pretty much everyone agreed on that).
I'd say all the girls were delicious, but some were more than others.
>> No. 34434 [Edit]
>>34431
Like I said, it's just my opinion. I don't want to diminish anyone else's enjoyment of something.

One thing I really liked about Mumei is how she actually kicked ass during all the fight scenes. Instead of being yet another useless female character (like Ayame).
>> No. 34435 [Edit]
>>34434
Yukina is another one that's competent.
>> No. 34436 [Edit]
>>34435
That's true too!
>> No. 34437 [Edit]
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34437
Koi Kaze is a 13 episode, 2004 anime. It's a grounded and serious romance story between siblings. The majority of it is spent seeing how the relationship forms and the psychological processes behind it. While far from melodramatic, it does not gloss over the issues a incestuous relationship would face.

Koi Kaze relies a lot on inner monologue to effectively convey the characters' thoughts and feelings. This both makes them more sympathetic and relatable, and is compelling in itself. Aside from the protagonist and heroine, some other characters get a bit of depth and good moments, especially the protagonist's female coworker. Despite only being 13 episodes, far shorter than most romance anime, it doesn't feel rushed or artificial. You can plainly see why this romance would happen. Koi Kaze also doesn't shy away from the sexual aspects of romance either, which is also rare in romance anime.

The sound track is nice and the art style is pretty. The animation isn't stellar, but works well enough. The use of soft colors and blurred backgrounds compensates for it a bit and fits with the mood.

I'd recommend Koi Kaze if you're interested in a taboo, but sweet romance story that avoids the beating around the bush, glacial pace, and immaturity typical of shoujo.

Post edited on 25th Jun 2020, 8:29am
>> No. 34438 [Edit]
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34438
I watched the animated movie Kono Sekai no Katasumi ni, also known as In this Corner of the World. Here are my thoughts:

The story takes place in the 1940s of WW2-era Japan. It is mainly told through the eyes of civilians.

Even though it was released in 2016, the movie feels very old. Everything about it: the art style, the music, the voice acting, the story; they are all reminiscent of early anime productions from the late 20th century. I personally am not a huge fan of anime from this era (speaking VERY generally), so I might be unfairly biased towards this movie. Furthermore, I usually shy away from WW2-era fiction because of how I've seen it done ad nauseam in western media. So I might be biased in this respect as well, although the perspective of a Japanese citizen is relatively less common in western works.

Characterization is one weak aspect of this movie. Despite the 2-hour runtime, characters are not adequately fleshed out or even properly introduced at all. Random characters are just thrown into plot-relevant scenes as if the audience is expected to know who they are. This issue is exacerbated by the blob-like same-face character designs and dull earthy colour palette, which makes individual characters not particularly distinct from one another.

Although I didn't like the character designs, the background art is often quite nice. It has an organic look to it in that it often appears hand-drawn/painted. I frequently paused the movie to admire the landscape frames.

The main focus is on female characters and it felt as though gender roles were a consideration in the writing. The lives of Japanese women during this time period are explored in various ways. A lot of screentime is spent on the various domestic duties performed by women (mainly the MC). I enjoyed this aspect of the movie, but this enjoyment was derived from cultural interest rather than the usual mechanisms through which one appreciates fiction, like emotional engagement.

Good audio production quality. However, I did not like the voice acting. The characters mumble constantly and it is difficult to discern the words. Additionally, there is often very little emotion in the voices. Maybe this was a deliberate artistic choice but in any case I did not like it.

This movie has major direction problems. It tries to be sentimental and emotional but instead watching it feels like I took too much cough syrup. I often felt confused by what was happening, particularly during the first half of the movie. Basic plot components are never explicitly explained. It seems like the movie wants to be 'show don't tell' but it does this very poorly. Even before events take place, foreshadowing could have been handled better. Additionally, the characters' behaviour never seems to match the situation. The whole series feels absurdly tone-deaf; if this is an intentional artistic choice then it is a poor one.

Despite my distaste for the WW2 context, the movie does provide a rich view of the daily life of Japanese citizens during this time. From a sociological perspective it is interesting. The movie is clearly meant to be some sort of social commentary, and the characters and plot are just tools with which to accomplish this task. It does a good job of presenting a historical cultural snapshot, but perhaps at the cost of sacrificing any actual emotional engagement with the characters themselves. Throughout the movie I did not feel anything for the characters despite the tremendous hardship that inevitably comes with the Japanese WW2 setting. Emotionally, it felt like I was watching a documentary. Even though the subject matter is tragic, it was still viewed with detached emotionless intellectual interest.

In my judgement, the only reason to watch this movie is if you are interested in Japanese culture and history. I satisfy that criteria and for that reason I watched the entire thing.

Overall rating: 3/10
I am shocked by the praise that this movie has received.

For the record, nothing I've written here is intended to trivialize the events of WW2; I am simply stating my personal evaluation of a work of fiction.

Footnote: I watched the original length movie, not the extended version. Maybe the extended version would have been more coherent. Also, apparently there was a live-action adaptation (unseen by me) of this released a few years before the animated version.

>>34437
That has been in my backlog for a while. Hope to get around to watching it sometime.
>> No. 34439 [Edit]
>>34438
3/10 seems harsh given your description. I don't like numerical ratings because what they're based on isn't clear. Personal enjoyment, production values, some abstract relative quality? A "mathematical" formula for scoring would be contrived too. I don't think I ever finished an anime I really hated or would give a 3/10 for. Maybe it's because I only watch stuff I'm confident I'll be interested in.
>> No. 34440 [Edit]
>>34439
For me, it's basically just an intuitive measure of overall satisfaction or enjoyment.

For the past year I've been taking chances on things I wouldn't ordinarily seek out, so there have been a lot of pessimistic scores. If that movie were a TV show, I would have dropped it after a few episodes and never written anything about it.
>> No. 34441 [Edit]
>>34439
I feel like I should elaborate a little. In addition to the crippling direction problems, I felt very frustrated by the behaviour of the characters.

I literally would have been much better off just spending those two hours by watching an actual documentary about WW2 Japan civilian life.
>> No. 34443 [Edit]
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34443
Gallery Fake is a 2004, 37 episode anime about a suave, but shifty art dealer with a heart of gold getting into various exploits along with his cute assistant. It follows an episodic format with some continuity, but no actual overarching story. From the beginning of Gallery Fake to the end, nothing substantial changes.

The art style and animation is simple, standard and bland. Nothing about it stands out. The ost is fine, but repetitive to the point of being a bit obnoxious. There might have been one scene which gets its own track.

Some episodes are more grounded and realistic, while others are more adventure and action based. A few episodes veer off into completely ridiculous plots. There's magic and psychics in this show. Not as a regular part, but just casually in a few episodes and played completely straight. It's bizarre. Gallery Fake is neither grounded nor fantastical, it's different depending on the episode. There's also a whole lot of sappy little plot lines reminiscent of a soap opera.

I kind of don't like episodic anime anymore, especially longer ones. I was hoping the romance subplot would at least go somewhere, but it doesn't. It's hinted at, poked at, but it hardly progresses and has no conclusion, which I feel is juvenile. There's also a character introduced which you'd really, really expect to become a regular cast member, but never appears again. Gallery Fake is adapted from a manga which continued to run after the anime, so that may explain it. I tried looking for a scanlation to see if there's some kind of proper conclusion, but couldn't find one.

Gallery Fake is also somewhat educational about art. The subject matters are all based on things in real life and widely vary from different cultures and time periods. It could be considered a "cosmopolitan" anime.

I would recommend Gallery Fake if you're really interested in art or love the suave, highly competent, slightly unscrupulous character archetype.

Post edited on 2nd Jul 2020, 1:31pm
>> No. 34471 [Edit]
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34471
I watched the anime movie Doukyuusei. Here are my thoughts:

Doukyuusei is about a homosexual romance between two male characters.

I don't have much to say about this because it's just a short movie. The main concern I had going into this movie was that it was only ~1 hour long. Unfortunately, my concern was justified.

The romance feels forced, partially as a result of pacing problems, but even moreso due to a complete lack of foreshadowing. Also, I find it difficult to engage with a romance story that has so little character development. Probably one saving grace for the movie is that the source material is fairly short as well, so it's not like a much longer story was crudely crammed into a short adaptation, as is often the case with anime. The movie felt slightly rushed, but it could have been much worse in this regard, so maybe I shouldn't complain.

The plot is fairly stereotypical and touches on a lot of the usual themes of same-sex relationship stories. It felt kind of fanfic-tier at times. It was all pretty standard fare for this kind of story. Emotionally, I didn't really feel much while watching. A short runtime with simple characters and a stereotypical plot just can't engage me all that much, usually. This is one of the reasons why I tend to shy away from movies and prefer TV series.

It's nice to see a canonically gay male relationship in anime. Like, with actual kisses and frequent displays of affection, instead of the usual noncommittal subtext that's often implemented just to pander to a vocal minority in some franchise fanbase. The affectionate moments of the movie are pretty cute. Although they're simple, the two main characters do have decent chemistry when interacting with each other.

As the title of the movies implies, the setting is an all-boys high school. Although it was kind of hot in my imagination, in reality the setting doesn't add much to my enjoyment, and actually just contributes to the bland feeling of the movie.

Animation quality and cinematography are okay for a movie. Art style was kind of organic and watercolourish, but with a muted earthy colour palette; it wasn't anything special. Similarly, OST and voice acting were both unremarkable.

My overall rating: 5/10

It wasn't really unique in any way besides being an overtly homosexual anime. There are a lot of cute moments, but ultimately they feel kind of hollow because of the bland writing and underdeveloped characters.

I think this anime might have attracted a disproportionate number of people from outside the usual anime fanbase, and was subsequently overrated by people for whom the content of this movie would be more novel.
>> No. 34472 [Edit]
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34472
>>34471
I hate this anime because it makes it difficult for me to search for Elf's eroge, also titled "Doukyuusei". I never watched it but I resent it.
>> No. 34495 [Edit]
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34495
91 days is a 2016 mafia revenge story set during the prohibition era. It's about a guy getting revenge on the mafia family who killed his family by infiltrating them and orchestrating revenge stuff. Everything about 91 days is pretty ok. The characters are pretty okay. The plot and pacing is pretty ok. The production is pretty okay.

Some of the plans in 91 days are kind of ridiculous and have a million points of failure while still working out for the protagonist, which gets hard to swallow quickly.

The friendship that forms between the protagonist and one of the family members serves to convey the message that revenge is bad and not worth it and that kind of thing good enough. It's very standard in the killing people is bad department.

As a mafia story, i'm not sure how good it is. There's a lack of that nihilistic brutality in stuff like good fellas, for better or worse. I can't imagine any of the characters in that movie tolerating some of the stuff that happens here. Characters do die, but somehow it doesn't hit those same notes, which may be a good thing if you don't like that kind of stuff and prefer a portrayal of death that gives it more significance. As a revenge story, it's certainly no Monte Cristo, but it's not awful. I did binge watch it, so at least it didn't bore me.

I would recommend 91 days if you want a short, mid-light show which is for the most part grounded, plot-centric and conclusive.

Post edited on 2nd Aug 2020, 8:54pm
>> No. 34500 [Edit]
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34500
I watched Luck and Logic (partially) and its spinoff Hina Logi ~from Luck and Logic~. Both of these shows were made by Doga Kobo. Thoughts on both series are provided below.

Luck and Logic:
The female hero characters are somewhat likable and showed some potential for an interesting character-driven story. The main male character is a generic personality-less MC.

Nice transformation scenes.
Episodes are mainly monster-of-the-week conflicts which are boring as hell.

I dropped this after episode 6.

Some of the female hero characters seemed interesting but truly this show is trash with few redeeming qualities.


Hina Logi:
- Surprisingly enjoyable
- Likable and cute characters
- Nice mahou shoujo outfits
- CUTE!!!!!!

Mostly episodic in terms of plot. Fairly typical school SoL plots but with a mahou shoujo flavour. There was a healthy mix of comfy SoL, sweet moments, and some minor drama. There were some mild shoujo-ai vibes between the two lead characters, but it was only a subtle aspect of the show until THAT ONE SCENE (*squees internally*).

Decent voice acting and the OST was okay as well.

Hina Logi was overlooked by many due to it being a spinoff (in name at least) from the show Luck and Logic. Consequently, very few people watched it despite it being a decent CGDCT show. Furthermore, it is underrated as a result of a selection-bias effect whereby those who did watch the show were typically those who enjoyed the garbage original series. The two shows are completely different and the kind of person who would enjoy one is unlikely to enjoy the other. Anyway, my point is that Hina Logi is a show which is very much underappreciated by those who are fans of CGDCT anime.

Aside from some character cameos from the original series, this show is almost entirely independent from the Luck and Logic anime. It takes place in the same world, although the tone is completely different. The atmosphere in Hina Logi is very soft and playful with minimal conflict. The main girl characters are in training at an academy to be the same kinds of heroes that are depicted in the original series. You do not need to watch Luck and Logic to watch Hina Logi. The plot dependencies and crossovers are very insignificant between the series.

My rating for Hina Logi: 7/10

It's a good CGDCT show that barely anybody watched.


>>34495
I watched the first episode of this but dropped it because it seemed like a bad homage to American mafia movies. If I wanted to watch western media then I would watch western media. Not making an objective value judgement - those were just my personal feelings. I also tend not to like edgy plot-heavy shows with violence, so it didn't really appeal to me.
>> No. 34501 [Edit]
>>34500
>edgy plot-heavy shows with violence, so it didn't really appeal to me
I don't think I'd call edgy, it's a bit too grounded and there's not actually much power fantasy. Jojo is considerably more violent too if that means anything to you. You didn't miss out on much either way.
>> No. 34502 [Edit]
>>34501
yeah 'edgy' was probably a poor word to use. I didn't mean it in a pejorative way.
>> No. 34557 [Edit]
Yowamushi Pedal ~ sports anime but feels like a fighting anime where no one dies....

Are all sports anime like this?
>> No. 34560 [Edit]
>>34557
more or less yeah.
>> No. 34595 [Edit]
File 159923262688.png - (272.81KB , 687x333 , frog1.png )
34595
pic not related.
I recently finished Masamune-kun no Revenge. It started out very strong, and gets a little weaker around the late middle, but redeems itself by the end. Given what the show was building up to, I'm actually surprised that I liked the ending, but it is what it is, I suppose. It's certainly not a mind-blowing show, but it doesn't place emphasis on elements which I think in most other shows would be over-emphasised to the point of annoyance: for example, I was pleasantly surprised at how the main antagonist was portrayed, very understated I'd say compared to most shows, and that's honestly the main charm that places it just about above the average show, which is that it gets the balance just right, neither overstating or understating it's elements too much. I can't rate it too high since it was essentially just some quick fun, a simple 12-episode story that was finished in the space of an evening, but for what it is I'd recommend it - I guess I'd say 7/10 overall.
>> No. 34603 [Edit]
File 159967638879.jpg - (531.61KB , 700x1000 , f2ca56c895ac724e7dee1471212db281.jpg )
34603
Jigoku Shoujo(Hell Girl) is a horror anime about a website that lets people send someone straight to hell if they visit it at midnight and feel genuine hatred for that person, but it comes at the cost of also being sent to hell after they die. This exchange is carried out by a supernatural girl with her assistants' help. I watched the first 3 seasons, each 26 episodes long, and skipped the fourth since I hear it's way worse and only 6 episodes without adding any kind of conclusion.

The basic formula of a Hell Girl episodes is that somebody has some kind of greivance or grudge, they get pushed over the edge, use the website, and meet hell girl who explains the rules. Eventually they pull the string on a doll they're given and the object of their revenge gets some surreal punishment and is then ferried to hell by hell girl. This formula gets varied sometimes with the order being changed, some parts being skipped, or multiple people using the site within the same episode. Each season also has some kind of narrative and a few reoccurring human characters. The narrative picks up in the second half of the season and dramatically concludes in the last two episodes. I'm explaining all this to emphasis how formulaic it is which makes little in Hell Girl suprising after the first season.

Character actions often make no sense what so ever. The motivations, logic, common sense or even emotions behind a lot of what they do is either absent or absurd. This is later used as a crutch to make things less predictable. Going to hell after dying doesn't deter almost any character either. In the first season, it kind of worked because the feeling of a urban myth was still there, so it kind of felt like you where watching a story passed from person to person on the internet or something. This feeling goes away though as hell girl because more concrete and commonly known within the setting. People who use the website and pull the string are permanently branded in an easily accessible place too, which is a massive weakness in the logic of the setting and the narratives. There's never any serious investigation done by authorities despite everything that's happened within three seasons and it makes no sense. The branding never plays an important role.

Hell Girl fails as horror, in fact it gives up on being horror and transforms into an absurdist comedy. The reoccurring supernatural characters are too humanized and the sense of atmosphere is too weak. Hell Girl focuses on gimmicks and ways of mixing things up over being eerie. The punishment sequences also become increasingly more comical, in a way that's obviously intentional. The rules of the website are applied inconsistently for writer convenience. Every season also has some episodes where other supernatural things are present and it's ridiculous and cheapens the setting.

Season 1 had the best narrative because enough time was spent on making the two characters endearing. It's also the only season with a few scenes that succeed at having an eerie atmosphere. The people being sent to hell were for the most part comically evil, which is at least enjoyable to watch. The second season has a weaker narrative and does a lot of harm to suspension of disbelief, but has its moments. The third season features an incredibly passive, boring protagonist. If her friend or somebody with an actual personality were the main character, the possession gimmick might have been interesting. If she had an investigative spirit or just did anything which felt significant like the first season's narrative protagonist, it would have been better and worked as a change of pace. This season also has most of the people being sent to hell not deserving it, which is both a cheap, ineffective way of changing things and heavy-handed method of expressing the themes already explored much better during season 1. Many of the people using the site are students within the same school as the protagonist, but this never has any consequences and weakens the urban legend, disconnected, mysterious events thing Hell Girl was created with in mind even more than season 2 did.

I would recommend Hell Girl season 1 if you're in the mood for a semi-episodic anime which tries its best to make humans look bad. I would recommend the subsequent seasons if you really love season 1 and want as much more as possible.

Post edited on 9th Sep 2020, 11:34am
>> No. 34604 [Edit]
>>34603
>Hell Girl fails as horror, in fact it gives up on being horror and transforms into an absurdist comedy.
I was going to start watching this as Fall nears, but now I'm hesitant.
>> No. 34605 [Edit]
File 159969069871.jpg - (90.24KB , 850x1158 , sample_06dfed995e6d0ba7ab2273aea63cc07d.jpg )
34605
>>34604
Higurashi is probably the only horror anime that really unnerved me, especially the first arc. That's probably because of its source material. I'm interested in the remake they're making, but while it looks "better" art-wise, who know if it'll capture the same feeling. I tried watching Another, but it somehow managed to miss all the right beats and timing to be scary, like the director didn't understand how to do it, so I dropped it. Haven't seen Shiki.
>> No. 34606 [Edit]
>>34605
That new higurashi adaptation looks so strange, like I can't tell if it really looks any better
>> No. 34607 [Edit]
>>34606
I'm excited for it myself. I love Akio Watanabe designs.
>> No. 34612 [Edit]
>>34607
He worked on key animation in at least one episode of the original adaptation. The original's off-model scenes and over-the-top facial expressions actually helped the mood. I hope they keep at least some of that. I'm worried it'll look too "clean".
>> No. 34622 [Edit]
File 160001426740.jpg - (205.36KB , 850x575 , sample_760a4017023887df4758f290eb6cd4d3.jpg )
34622
Shigofumi is a 2008, 13 episode anime about a postal worker who delivers letters written by dead people in the after-life, the last sentiments they want to communicate to somebody alive. While it isn't horror, a few of the themes and stark, bright colors convey an unnerving, purgatory like atmosphere. When Shigofumi follows its premise, it's decently interesting, albeit sappy at times.

The first sign of something wrong is the inclusion of a comic-relief side-kick that accompanies the cold, indifferent postal girl. Other light-hearted characters are also introduced that interfere with the atmosphere present in the first few episodes. Shigofumi does have a narrative, it does take up most of its runtime, it is centered around the backstory of the postal girl and it also involves a high school. I don't get why this was done. I would have preferred if they played the premise straight, kept the whole thing episodic, and left the origins of the postal girl ambiguous. Maybe they couldn't think of enough story ideas that focus on the letters and who receives them. It was disappointing none the less.

The narrative itself is contrived, dull and unbelievable all at once. The reoccurring characters are boring too.

I would recommend Shigofumi if you're in the mood for a light show with a few interesting elements here and there.
>> No. 34623 [Edit]
>>34622
I barely remember anything about it, but that does sound about right. I do recall it had a lot of issues with it's inconsistent tone.
>> No. 34625 [Edit]
>>34605
im concerned with how hard they seem to be pushing the new adaptation, it makes me think that theyre afraid it wont do well. im also not a huge fan of the new character designs,they all seem too similar to me. however, that could just be a preference for the older designs, so i guess we'll wait and see
>> No. 34626 [Edit]
>>34625
>im concerned with how hard they seem to be pushing the new adaptation, it makes me think that theyre afraid it wont do well
That doesn't make any sense.
>> No. 34627 [Edit]
>>34626
I believe the anon is saying the publishers may think the remake wouldn't be financially successful by name recognition, word of mouth, and traditional advertising alone. That the publishers need to advertise it more aggressively in order to 'crank up the hype' less it flop.
From what I've seen, the ad campaign has been fairly average and word of mouth has been moderately above average at best due to the popularity of the franchise. I think the remake will do perfectly fine.
>> No. 34636 [Edit]
File 160052633912.jpg - (277.80KB , 450x638 , 9cb94d873e183d2d78b4deebc0d44429.jpg )
34636
Shiki is a 2010, 22 episode horror anime. It also has two special episodes which fit chronologically within the original 22. Shiki is about a vampire plague in a rural, Japanese village. After a western style mansion is built near the village, an epidemic seems to start that kills young and old. Some people attacked by vampires turn into one after dying, while others just die. They die if exposed to sunlight and don't show vital signs like a pulse or body warmth. The catch is that vampires retain their humanity, memories and personality, but must drink human blood to survive.

Shiki fails as horror, to put it bluntly. A big part of this is that vampires are humanized quite a lot. Not just in an abstract, barely visible kind of way, but them acting casually and monologuing is extensively shown. This is done for thematic purposes, but shoots the horror side of things in the foot. The creepiness of mystery is removed and becoming a vampire stops looking bad enough to be scared of. Being attacked could also mean death, but the repetitiveness of vampire attacks also makes them less scary. Music cues and comic relief make it clear that Shiki gives up on being scary. Only the first few, slow episodes manage to be unnerving in that way, before we know what exactly is going on. Some of the gore later on did succeed in grossing me out, which deserves some points.

Shiki is mildly interesting from a philosophical perspective. The questions it raises are nothing new, but the way it asks them is at least entertaining. "Is it right to kill shiki" is a proxy for other quandaries like "is eating meat okay", "does living in a village suck", "is it okay to kill your fellow man to survive, or should you just kill yourself", and most importantly, "do humans = shit"? At only one point does a character suggest a way for shiki to survive without killing others or multiplying, and they get dismissed with a contrived comparison to humans eating meat. Ignoring the existence of vegetarians, if you were to be asked "would you kill and eat a cow that is clearly as smart as a human and could talk and read books and do calculus" and your answer would be "no", the philosophical premise kind of falls apart. I'm surprised that more of the vampires in shiki weren't suicidal or tried running away from the village.

The story itself is entertaining. The structure is a slow start, gradual build-up, big turn, and rapid, brutal rush to the conclusion. This is typical for a thriller, which shiki ends up being more so than horror. The characters are mostly two-dimensional and static, but I enjoyed some of them. It was refreshing to see an academic type of person as a horror protagonist rather than side-character. I also liked the little nods to Bram Stoker's Dracula. Shiki did succeed in making me feel bad for the monsters, but never to the point of making me feel the humans were doing the wrong thing. That being said, the ending is rushed. Two extra episodes added after the finale was already made can only do so much to alleviate that.

Various things which I really expected to happen before the end just didn't for seemingly no reason. Maybe that was intentional to convey a greater sense of brutality or something, but it's also unsatisfying. This also made me wonder why certain characters were included at all since they pretty much just waste screen time without ever doing anything of note. There are a lot of characters. Worst of all, a particular character doesn't die for contrived reasons, and this makes the entire show feel kind of pointless. Maybe this was done for thematic purposes, or maybe it's because of her popularity.

The production values are decent. There's really nice animation here and there and the music is repetitive, but works well enough. The first op is catchy too. The character designs on the other hand are quite jarring. Some of them are super pointy chined and have crazy hair, while others are realistic to point of ugliness. They feel incongruous with each other. More subtle character designs would have also helped on the horror side of things.

I'd recommend Shiki if you're looking for an entertaining, mildly unsettling watch for October or just the fun of it. It's not scary though, so don't expect that.
>> No. 34654 [Edit]
File 160082025845.jpg - (591.35KB , 2000x2452 , Little_Busters_Animation_Cover.jpg )
34654
I watched Little Busters (including Refrain, EX/Ecstasy, and the OVA). Here are my thoughts:

Similarly to other Key adaptations, genuinely emotional moments are dispersed within, but you need to be willing to overlook some drawbacks. There are some great impactful scenes but you need to be patient. Like other Key adaptations, the writing/direction/script feels ham-fisted. Underneath this though there are elements with appreciable artistic merit.

I'm actually quite forgiving of VN adaptations because I understand that by their very nature there are limitations on direction quality. My view is that VN adaptations need to be 'watched differently' compared to ordinary anime. The nonlinear and discontinuous nature of the source material must be taken into consideration. Even with this in mind, the direction ranges from poor to okay. Direction is probably this anime's most significant flaw. Sometimes it feels like it 'fumbles the ball' during crucial emotional scenes.

Little Busters seems to lack the rich atmosphere that was so noteworthy in past Key works like Kanon and Air. Although it does have a similar melancholy undertone and a pervasive supernatural theme.

The cast is large but it's handled well; pretty much every character is likable and given a chance to shine. The female cast in particular has some really memorable characters who are very likable and full of personality; some of them felt like real people to me.

There are plenty of comfy SOL scenes/episodes. Healthy mix of drama and comfy SOL. There are some funny scenes but be prepared for some oh-so-hilarious Japanese slapstick humour, particularly in the earlier episodes. Foreshadowing is sometimes implemented well, and sometimes it is used ineffectively or insufficiently. As you might expect, the series becomes more drama-heavy in the later episodes.

The OST is, on average, maybe not quite as amazing as more well-known Key adaptations like Clannad. Nevertheless, it is still great and there are some excellent songs in the catalog if you dig through it. As expected, there are some absolutely breathtaking piano tracks. The OST is still far better than your average anime and is still a major source of enjoyment, don't get me wrong. I found myself rewinding scenes just to hear the music again. I've set aside a choice selection of songs from all the musical content which I'm certain I'll be listening to for many years to come. Also, I liked the voice acting for the entire main cast.

I think the greater length of this adaptation is capitalized upon effectively. A more elaborate story is woven and a larger cast of characters is constructed, as compared to shorter Key adaptations. I think this is an advantage of Little Busters compared to a shorter adaptation, like Air for example. The greater length also ensures that story arcs are neatly tied up, not rushed or incomplete. Not once during the total 48 episodes did I ever feel like the series was a drag or a chore to watch. I always looked forward to watching the next episode. As time went on, I felt myself become more attached to the characters. Once the cast is fleshed out, the show can be a pretty good 'friend group simulator' at times. I should mention that friendship is a fairly significant theme in Little Busters. The stories are (relatively) more platonic compared to other Key works. I'm not the type of person to ever feel loneliness, but there were moments when this anime invoked whispers of that kind of feeling within me. Being with all the Little Busters characters made me feel like I was in my early teenage years again, or something like that.

I often find that a male lead character in anime can be unlikable or bland at best. Key adaptations are unfortunately no exception to this, but Little Busters is unique in this respect. I found Riki to be a really endearing and likable character. He's so cute too! He had by far the most screentime of any character but I never tired of his presence.

Visually, the anime has a bland art style and colour palette, and the animation is unremarkable. Although I did notice an increase in animation quality for the sequels relative to the first season (this is probably a testament to the success of the original series). More detail was added to facial expressions, which was a major plus in my mind. Even though the same bland art style is used, the sequels have better cinematography, and lighting is used more effectively and in greater detail.

Overall I rate Little Busters 9/10.
I liked it a lot and it made me feel a lot of things. It's not perfect but it still has tons of charm. Maybe a different studio could have done a better job. Despite my (perhaps harsh) criticisms, I did cry during the last episode of Refrain. I think that Little Busters will have a place in my heart for a long time to come. Every time I relisten to the OST I start to feel emotional.


Little Busters is a really good 'depression anime,' in my opinion. If you're feeling sad then the melancholic supernatural atmosphere is really complementary. I think this is true for most Key adaptations.

Would I recommend Little Busters? Not broadly. There are aspects of it that I can see a different viewer disliking. Most of the usual issues with Key adaptations apply here. Although I haven't read it, I suspect that the visual novel might be a better (or at least more authentic) way to approach this.

I did not enjoy Refrain as much as the original series overall. Refrain excluded a lot of the best characters, and I did not like the plot as much, although it did build on the plot of the original series and resolved some unanswered questions. The last few episodes were excellent but the journey there was somewhat rocky.

-sort of maybe spoilers below-

There is a romance arc involving Riki and another character that doesn't begin until the latter half of the entire story. Up until this point I had shipped Riki with this character, and them coming together felt natural in theory. The actual romance arc itself though seemed unnatural and forced from my point of view. It was poorly executed and disappointing. Definitely a lot of potential was wasted because this could have been a potent mechanism of emotional engagement. It felt cathartic for me to see them finally realize their affection for each other, but what followed was so poorly directed I almost wish it hadn't happened at all.

Speaking of character relations, I thought the relationship between Riki and Kyouske was a really promising aspect of the story and I wish it was explored more thoroughly. I would have liked to have seen more character development for Kyouske overall, actually. He was used as a plot device moreso than any other character, so maybe this justifies his lack of development. For better or worse, the male characters overall in Little Busters are relatively undeveloped. Given the importance of the male cast to the plot itself, I think I would have found the show more emotionally engaging if they were more richly characterized.

I'll also make some comments that are specific to the EX/Ecstasy episodes:
- These were included as specials with the Refrain release, so they're not essential to the core plot of the show. They include VN routes involving some less-important characters.
- These specials are somewhat less serious and more fanservice-heavy than the TV anime, so the viewer should set their expectations accordingly.
- Romance is a more significant aspect of these specials relative to the TV anime. There are some decent romance scenes.
- I'm very grateful that the Ecstasy routes came with even more musical content, the quality of which is on par with all the other music put out by the franchise. There are some excellent songs in the catalog.
- I liked the voice acting for the newly introduced characters.
- Overall, I did not like these specials as much as the TV anime. There was a little too much pandering for my taste, and I didn't like the stories quite as much. I still enjoyed watching them, but I don't think they have quite the same artistic value as the TV anime.
- I rate these EX/Ecstasy specials 8/10.


A couple other important things:
- god I want Kurugaya to spank my bum and scold me
- Mio is literally me


Note: at the time of writing this I have not yet seen the Kud Wafter movie.
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