>>
|
No. 38689
[Edit]
1970s
Empty seasons aren’t a thing anymore, in every season something was produced. Hayao Miyazaki is now producing anime as well. He already worked on anime in the 1960s, but I included him here as he never was the director in the 60s. What I consider interesting is that Miyazaki blames Tezuka for the widespread low wages in the anime industry, because he produced anime too cheap. Some sources say that the studios back then have to blame themselves, as Tezuka kept the rights for licensing and merchandizing, which is why he could produce cheaper, while the others such as Toei and Eiken did not, but produced cheap too, and because of that they had to pay awful wages in order to keep their business afloat, what established the horrible pay in the industry that still exists today. Nonetheless Miyazaki is important as his movies he later produced with Ghibli in the 80s and 90s gained a lot of international attention that benefited anime. Anyway, a lot of familiar faces and names appear, at least for me. On one hand are anime I have heard a lot of stuff about online but never watched, such as Ashita no Joe, Lupin the third, Cutie Honey, Uchuu Senkan Yamato, Uchuu Kaizoku Captain Harlock, Ginga Tetsudo 999 and Gundam. On the other hand there are anime I have watched on TV as a child, such as Attack No. 1, Muumin, Pinocchio, Doraemon, Alps no Shoujo Heidi, Mitsubachi and Maya no Bouken, Calimero and Chiisana Viking Vickie. New studios arrived too, Sunrise, Madhouse, TMS Entertainment and Nippon Animation for example. Overall I finally started to put some anime on my PTW list, but I had to move some into on hold instead of PTW as there are no subs, or only partially, or a case of lost media is given.
1980s
Looking through this decade I can definitely see why it is called the golden age. Thanks to VHS anime can now be sold to people directly and enjoyed at home whenever they want, not having to sit in front of the TV at a certain time or having to go to a cinema. With that a new market with a lot of revenue was opened, which could be used to produce even more. The rest of the world also developed a taste for anime, this lead to another form of income thanks to licensing and yet more money that could be invested. On top of that many popular franchises were established and sequels produced. What surprised me is who licensed and dubbed the most, it’s Italy. There are even a bunch of anime only available in raw or Italian dub. The cherry on top of everything is that every season has now double digits of anime to choose from in form of TV series, movies, specials and in the second half of the decade OVAs. A lot of acquaintances have their home in the 80s too, once again separated into “I have heard of it but never watched it” like Urusei Yatsura, Macross, Tenshi no Tamago, Dr. Slump, Hokuto no Ken, Dirty Pair, Bubblegum Crisis, Saint Seya, City Hunters, Patlabor, Gunbuster, Ginga Eiyuu Densetsu and Yawara and “I have seen this as a child on TV” such as Nils no Fushigi na Tabi, Captain Tsubasa, Dragon Ball, Ganbare Kickers, Ranma and Kwak. Else there are Pierrot, Shaft, Ghibli, Deen, Gainax, J.C. Staff, Production I.G and others who entered the fray as well, while compilation movies and recaps being very popular. Stuff like step sisters, isekai, cat girls, ecchi, delinquents, school girls, ojou-samas, incest, time travel, mahou shoujo and traps became a trend, of which a few last to this day. A few animebiographies, music videos and crossovers popped up and a considerable amount of anime with a WW2 background. A lot of safety anime for fires, traffic and earthquakes started to show up, where I honestly have to say that I don’t understand why they need so many of them. They also started to use some sort of effect for the hair that makes it look shiny, before it was more dark and plain. Personally I would have preferred it if they did something about those long legs many characters have, occasionally even long necks or just black eyes with a white dot inside them, that should represent an iris I guess. What I noticed is that there are a lot of series with many episodes, it’s rarely the nowadays usual 12 or 13. Who wanted shorter anime could pick up an OVA though, which were huge back then. There was also a surprising amount of TV shows with a shorter duration too, so it was either long with usual length or long with short length or OVAs with something between 1 to 12 episodes. Of course movies and specials still existed, which means almost the entire package was now available. Hentai is now being produced as well, it’s being distributed on VHS. Obviously this is very explicit content, but even on TV they didn’t shy away from showing bare skin, excessive violence and even gore. Sometimes those things even get combined, now and then garnished with hentai. Last mention is that this decade also established a market for the demographic Seinen.
1990s
Anime got even bigger, new studios arrived such as Kyoto Animation, OLM and Gonzo for example and CGI is being sporadically tested, which doesn’t look good at all in my opinion. Many well-known things like office ladies, schools, harem, yaoi, yuri and sex shift are gaining a foothold. Several video games got an adaptation, Dragon Quest, Wizardry, Ys, Final Fantasy, Street Fighter, Tekken and Fire Emblem are among them. It would be interesting to know how faithful they are to the source, unfortunately I didn’t play those entries that got adapted. Names that ring a bell are once again here, I have heard about some online, Lodoss, Fushigi, no Umi no Nadja, Tenchi Muyou Ryououki, Sailor Moon, Aa! Megami-Sama!, Black Jack, JoJo, Slam Dunk, Taiho Shichau zo, Slayers, Golden Boy, Rurouni Kenshin, AIKa, Perfect Blue, Cardcaptor Sakura, Initial D, Hunter x Hunter, One Piece and several movies from Ghibli to mention some of them. Others I knew from watching TV as a child, such as Conan, Pokemon, Digimon and Yu-Gi-Oh. A few I have already seen, namely those you see a lot online, Lain, Evangelion, Koukaku Kidoutai, Gunsmith Cats, Trigun, Cowboy Bebop and Great Teacher Onizuka to be precise. What caught me of guard is that there are still quite a few lost anime, even with VHS around and later in this decade DVD too. I thought this wouldn’t be the case anymore, but since the introduction of VHS until the end of the century it still happened. A reason for this is that anime that wasn’t popular when airing didn’t get a physical release. With time some of those shows got lost, while others lay around at the studios. Rarely they were aired again or shown at special screenings. An interesting thought that a kid 30 years ago recording his favourite show is now an adult who can help to preserve what he once loved. This made me think what kind of stuff people are hoarding, sometimes without even knowing. Still, I noticed that in the past 5 years a lot of anime from this century got a translation. I have now and then seen somebody complain about the raise of isekai and the decline of slice of llife, which is a sentiment I share and the reason why I did this endeavour. Maybe some felt the same and dived into this century to explore what they didn’t know yet. Or they were bored during Covid and picked up this hobby when they needed to stay at home. All in all I am grateful for it and a few lost anime have even been discovered. What made me feel is that I am most likely experiencing what the old school otakus felt when mecha and sci-fi fell out of favour and was replaced with slice of life and moe, which is since years getting shoved aside more and more in favour of isekai. Anyway, this decade saw hentai getting very popular, the number of it is staggering, but the animation is sometimes quite awful. Besides this in the late 90s TV series got more popular, while OVAs and movies declined. While they were still numerous, it started to shift from the one to the other. Another surprise was that the first ONA was already here in the last year of the 90s. I guess it wasn’t impossible back then to publish and host a short video on your own website already. At the very end I wondered where Taiwan is. As it turns out the Taiwanese were mostly busy being subcontracted by the West for drawing cartoons. Rarely they were involved in helping creating Japanese works as subcontractors too. Now and then they did something on their own, but it never really caught on. Starting in the 50s until now every decade saw a few productions of them, but they settled into the role as a helping hand. As my curiosity was not yet satisfied I took a look at North Korea and saw that they were also producing anime. Of course it is propaganda, but in the 80s and 90s they were subcontracted by the west as well before collaboration was shut down in the current century.
|