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>My question is...
I only watched the film. I asumed he got his clothes from second hand/used goods markets, wich was the reason why they hardly matched each other, making him look like a clown. But if I remember corrrectly, he also had a good car so I don't know...
About the general luddite ideology of the piece: I have encountered feelings about it. Modernity is the product of science's interpretation of the world, wich allow us to generate technology. Global order's main illness of inequality and exhaustion of resources due to waste, aren't accidents at all: this sick world pretty well matches Comte's predicted scheme about hierarchization of education, polarization of social classes and depredation of nature though industry, but without the dissapereance of conflicts and war (that is: we had "order" and "progress" alright, but never "love": the project of a social science failled, and certainly positivism's viewing of science failled: the scientific method never really existed in practice; neither science brings truth, but just domination). So, to preach against modernity is really to preach against science; wich pretty much constitutes the suicidal higher renounce to men's main survival strategy: to overcome the contingencies of the world by bending it as a whole, with knowledge; rather to really understand anything (wich is also likely impossible), to just enslave it, by turning it into something useful to us (to turn the world into a place we can inhabit, at its own cost)...
So I could say Tyler is right: all this is wicked and should end; but I don't see a way of doing it without also wipping out humanity as a whole in the process (for good or bad, for me or you). Pseudo-solutions as that of Zeitgeist's makers are just very delayed and trivialized propaganda, wich only serves to illiterate kids and stoners to feel "conscious" and "alternative"; it's just all the same pointless crap: there's no revolution, justice, solution or brighter future on sight.
Post edited on 23rd Jul 2011, 4:24am
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